Through A Window

Rose Clark, Neeka-Lynn Devries, Hannah Elizabeth, Mia Ellis, Eddie Flatman, Rowan Huang, Jennifer Jankowski, Sydney Patten, Krit Sekhon, Adam Wiebe

Thur 2 April 2026 – Sat 2 May 2026

Opening Reception Thur 2 April 2026 6:30 PM

This exhibition features artworks created by graduating students in the 4F06 capstone class at Brock University. The title refers to the range of artistic practices, worldviews, and concepts that the students have experimented with, both academically and creatively. While their works may differ in appearance or intention, they are united through the pursuit of seeing the world in new and unexpected ways.

Spotted with Pansies

Chris Glabb

Sun 1 Feb 2026 – Sun 3 May 2026

Opening Reception Sun 1 Feb 2026

Spotted with Pansies explores how landscape can be weaponized to enact harm against marginalized communities. A pansy is both a flower and a derogatory term for a feminine gay man, making it simultaneously beautiful and inflammatory. The title of the series refers to a time in the artist’s life when, before coming out, he feared being seen with other homosexual men: afraid that this association would expose him as “one of them.” These works pervert ornamental tradition, embracing fashion and Internet culture as Queer muses. Overwhelming the architectural surface with spots underscores how Queerness is often rendered decorative and claustrophobic, ostentatious to the point of suffocation.

This project was supported by the Ontario Arts Council, an agency of the Government of Ontario.

Select works on loan from de Montigny Contemporary.

A Fog That Won't Burn Away

B Mosher

Fri 30 Jan 2026 – Sat 2 May 2026

Opening Reception Sat 7 Feb 2026 6:00 PM

A fog that won’t burn away is a mobile comprised of suspended paper forms imprinted with speculative camouflage patterns. Risoprint textures blend like shadows tangling across their surfaces, flitting between certain clarity and apparent obscurity. It dissolves and reforms in a revolving dance, responding to currents of air with delicate movements, moving like tiny moth wings or weather vanes.

The work is a bittersweet investigation of instability, moving through that unknowable space, diffusing predictability, to create new meanings. A soft ache of unknowing, where fleeting certainties hum against the fog. In here, patiently blinking and squinting are tools to sift clarity from haze. Softening my gaze allows noise to transition into form. All this straining to see a clear path through the fog hurts my brain. Uncertainty’s indelible wash colours everything I see, setting me in motion. Precision resolving and dissolving in thin air.

My sculptural work points towards our interconnectedness with our surroundings and the vulnerability hanging in the balance of our shared ecosystems. Often I feel ineffective and powerless to make change.

- B Mosher